![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgi6Ndbi0kEoXLnwBntXQFibc1srPpHVCx7qIy4yQNbhxFZCYWt1bMXDYj6y6jUjt-Eevpzke6PuephRojrKYcK2A6wWlx5fMy9cZHZKeuiZKuMdLIl6_Uv5Th_7F2EUWfQBzl_Bkt757UB/s320-rw/thumb.php.png)
This album of 15 tracks sounds as a maelstrom of styles and sounds, veering from electro-rock, psychedelia, samplecore and fusion to creepy chiptune/8-bit shreds, joyous brass music and library music/space age pop samples. Indeed, it might be seemed as a kind of weird compilation compiled by diverse artists from here and there. Yet,
Jeanie & Caroline Album is a brainchild by the one and only musician Raul Costa from Brazil who firstly released it under the title
Jeanie & Caroline at Ego Twister in 2007. Now it is empowered by three more tracks including the huge
LIVE at neverland (MixSetBonus). More concretely, on this publication Costa is intended to convey heavy guitar riffs, bubblegum-pumped big-beat paces, sublime doo wop, trashing surf pop, caustic synth glimpses and catchy brass fields, sometimes reminding of the Saint Petersbourg`s combo Messer Chups by its slightly mocking manner regarding the attitude against pop cliches or the French combo Juanitos by its stabbing blend of psychedelia, surf pop and brass attacks. On the other side, paying a tribute to the early electro pop experiments by The Silver Apples as well. Sometimes the tracks glide into the easiness of chillout pop, exploiting in half-transparent way some well-known pop motives (for example, Edward Grieg`s
Peer Gynt). Indeed, the whole is a bulimic attack yet it is a sort of refreshing sonic binge first of all.
Listen to it
here